the wonderful Larry Nimmer televised interview of the Antony
& Cleopatra opening in Santa Barbara.
Susan Stewart Potter
Presented by the Santa Barbara Music Club, Faulkner Gallery
- Santa Barbara Public Library;
Saturday, October 23, 2004; 11, 3 & 5pm
Presented by the Music Club of Santa Barbara, the new opera, "Antony
and Cleopatra," was brought to full voice by eight opera
singers and a chorus in three minimally-staged performances on
Saturday. Written by local librettist Gene Tyburn and composer Gerard Chiusano,
it was a work of great promise.
Writing a new opera is a daunting task, requiring passion and talent. Tyburn and Chiusano have combined their considerable gifts
to shape this timeless story into a lyrical, moving score that
should take it beyond the confines of Santa Barbara and into the
world where it belongs. If energy and determination have anything
to do with getting an opera staged, Tyburn will get this done...
of the John E. Profant
Award, the opera's libretto is, blessedly, in English - Albeit
Elizabethan English. Based on the Shakespeare play, Tyburn has
gone a step further - writing the entire opera in rhyming couplets.
The result is appropriately exalted language served by soaring
music - a combination that lifts the audience out of the ordinary
and into another world.
Bourque gave a stunning performance as Cleopatra, capturing the
beauty and cunning of the Egyptian queen. Gabriel Pazo made a
perfect Antony. Graced with a fulsome tenor voice of considerable
range, he sung the role with convincing passion and desire. His
enunciation was perfection, reeling through the difficult passages
with great skill. Their duet of "If You Say You Love Me,"
Stevenett and Gail Lucas, Cleopatra's ladies in waiting, provided
the comic relief, somewhat reminiscent of "The Mikado's"
three little maids. But their fine voices applied to "O Come
My Love" put the quartet in the realm of the superb. Not
surprisingly, this number has received international praise from
the wider opera community. It has even attracted the attention
of Andrea Bocelli, whose manager believes it would be perfect
Enobarbus, Antony's advisor, Emil Christescu's strong dynamic
baritone provided a stunning contrast to Pazo's tenor.
all the score comes up to the level of the tuneful duets and arias.
Depending on the character, some of the recitatives and accompanying
chords have a melodramatic taint. This makes some portions unintentionally
himself provided the narration. Having at once a delighted-to-be-here,
yet serious tone, he demonstrated throughout the genuine love
of the story and a deep understanding of the dramatic elements
- always a boon to any work.
final performance on Saturday received a well-deserved standing
ovation. It's exciting stuff to be on the birth of a new work,
and to see living creators cheering on the performers.
some of the performances were uneven, every singer was completely
invested in their roles. It is apparent that Tyburn and Chiusano
know how to attract talent to bring their work to life... a true
sign that they will continue to attract an audience.
has been the province of the elite for many years. Not so in the
beginning. It was a form of entertainment that attracted the groundlings
as well as royalty. May it find its place in the whole of society
once again, is Tyburn's goal.
writing librettos, Tyburn has found the love of his life. His
"Iago" is currently being scored by Malcolm J. Hill,
the most honored member of the Royal Academy of Music in London.
Tyburn and Chiusano have also collaborated on "Macbeth"
- a work that has been completed and is now being orchestrated
humans we crave the new, the unique, a different take on famous
stories. So, we can only hope that the impresarios of this world
will see the benefit, beauty and promise of bringing new operatic
works to the stage for us in our time.